Atelier Kapnos

Art studio in The Hague

& 8 linocuts on Japanese Paper

Small, hand-printed linocuts on Tosa Shi (54 g), in black and red. The theme is the typographic symbol ampersand – a symbol of connection of two elements. Yet in the prints and their titles the first element is missing. The viewer is invited to imagine it. Eight images form a loosely woven story: from mirror image to the artist’s portrait. Editions: 8–20, numbered and signed.

Technique & year of creation

Linocuts printed by hand in the atelier. Paper: Tosa Shi Japanese paper 54 g.

Year: 2023

Titles & info

“& mirror image” – edition: 10 – paper size 30,5 x 22,7 cm

“& a hand monument” – edition: 10 – paper size 30,5 x 22,7 cm

“& smoke-free” – edition: 10 – paper size 30,5 x 22,7 cm

“& a starry night” – edition: 10 – paper size 30,5 x 22,7 cm

“& brain waves” – edition: 11 – paper size 30,5 x 22,7 cm

“& a kiss” – edition: 20 – paper size 30,5 x 22,7 cm

“& now” – edition: 8 – paper size 22,7 x 15,2 cm

“& the artist” – edition: 16 – paper size 22,7 x 15,2 cm

& prints in frame

Series of Eight Linocuts on Tosa Shi Japanese Paper

Presented with passepartout in a uniform 40 × 30 cm vertical frame with anti-reflective glass.

& project process

A collection of 60 prints accompanied by their transfer drawings. These works are the start ideas, proof prints and failed versions of a study on the typographic symbol ampersand ‘&’. They show the line of thinking from try-outs to visualized ideas to finished artwork(s). The final prints, the result of the study, are not included in this collection. In the photograph the surface is 250 cm height x 220 cm width.

Ampersand: On the inconclusiveness of art

While my work often revolves around letter characters, it rarely results in a design in the designer’s sense. My approach is that of a painter; it is raw & experimental and it entails failure. The ampersand, meaning ‘and’ (et) is a connecting symbol. Yet a repetition of ampersands points towards incompleteness and inconclusiveness. This is a trait that distinguishes art from all other areas of thought registration and exchange. In the talk about openness and acceptance, the inconclusiveness of art is a valuable guide. With these thoughts in mind, this collection of try-out prints can be considered a visual essay on the inconclusiveness of art. That is why its title is ‘Ampersand: On the inconclusiveness of art’.

details (to follow)

Printing time

About linocuts and printing: