Linocuts:
Engraving on linoleum plates has been in my practice since the art school. It is a technique that allows me to work totally independently from beginning to end, meaning that I can experiment with only limitation my own strength.
In the most recent works I experiment with white areas inspired by cloth design and pocket lining fabric. Although I have already printed two works on good paper, this series is ongoing.
This print is called ‘White noise’ and is made with two plates.
Etches:
Etching demands less physical strength than linocutting, but using the acid bath and printing is something that I can only do in external studios.
I am busy preparing the plates for new works. These are etches that I made in the Vrije Academie voor Beeldende Kunsten in The Hague at the end of the 90’s (20th c.)
